Somewhere between the Moldy Peaches and Patti Smith there is Philadelphia’s Mrs. Pain. The petite songstress is political, angry, sweet and cynical. Armed with only a guitar and some recording equipment, Mrs. Pain publicly battles a myriad of health issues, but she never loses her sense of humor. Her songs feature incessant, streaming poetry that re-frames the world as a parody of itself. Her art goes beyond her songwriting. She takes nude photos of her self to mock American idiot Sarah Palin and ponders self-awareness on a growing Web site. She takes an unabashed stand for weirdness, but it’s not an act: She’s an open book (or blog). Her recordings can be found at http://freesalviatest.com/ ,http://www.myspace.com/mrs.pain as well as http://youtube.com/user/TJackieBabe.
PhillyVenues- You seem to talk a lot about being married to or having been married to Pain. What’s your relationship with Pain, as it relates to your music? Did you really have a brain tumor?
Mrs. Pain- Yes, I had a sizeable growth on my pituitary--the master endocrinegland, which is located in the middle of the head. It caused a slew ofvery disconcerting symptoms for several years, from daily throbbingheadaches to mood swings. Meanwhile, I was simultaneously sufferingsymptoms of Lyme disease, Epstein-Barr, and schizophrenia, all of whichwere made progressively worse by just about every pharmaceutical mydoctors gave me to "treat" my illness. I was basically sick as a dog fromthe age 19 to the present, but because I'm generally so stoic (exception:when I am performing), the pain was, for the most part, indiscernible to most of the people surrounding me. I think it is safe to say that mostartists make art as an outlet, a way of expressing emotion. I definitelyused my art as an outlet for my pain--and still do--but I've become a little bit more upbeat than I used to be.A couple more things I should clarify: I say I "had" a tumor on my pituitary. The tumor was removed on Valentine's Day of this year at aPhiladelphia hospital. Ironically, my namesake held true, and I had allof the worst complications imaginable from this routine procedure,including cerebrospinal fluid leaks, bacterial meningitis, and theaccidental lodging of a piece of medical equipment in my spine whichrequired additional surgery to remove. That--the second surgery--had itsown complications, but by that point, I had decided to ditch the thirdsurgery the doctors were recommending and go an "alternative route." I'mglad I did. Had I not, I would still be in the hospital... P.V.- Between the blog and your YouTube videos, there’s a certain performance art aspect to Mrs. Pain. What went into that decision to make Mrs. Pain more than just singer + guitar?
M.P.- I'm not sure I would even call it a decision--it's just sort of whathappened. I have been doing all kinds of art my entire life, and havenever been satisfied with doing just one thing, or being just one thing.If I was just a girl+guitar singer-songwriter act, well--that's just notme. I think more deeply than that. I have so many ideas--aural, verbal, &visual. I tell stories--everything around me is stories. Songs alonecannot tell the whole story, so, to me, it would make no sense to limitmy art to that single medium. Also, I always loved to act, to playmake-believe, and I never got much of a chance to do it when I was inschool because I was never thrilled about the prospect of memorizing someplay that had been performed hundreds of times before. So I saved it for later. And now I'm always playing a different character. Sometimes thecharacter is the girl+guitar--but usually, it's a lot weirder than that. P.V.- Your recordings are so different from your stage act. They’re layered and complex compared to the acoustic punk minimalism of your live performances. Is this an indication that you wish you had a band behind
you?
M.P.- It is true that sometimes I wish I had a band behind me. I hear moreparts in my head than I can relay using just one vocal line and aguitar. When I record, I include all the parts that I hear, but it's notnecessarily something that could be easily reproduced live either. If Iam recording a track with two dozen different effected vocal loops madeto sound like electronic instrumentation--well, I'm not sure that's soeasily turned into an arrangement for a band. Also, when I play live, Ioften spontaneously change tempo, time, and feel of the music, which ishard to do with a band unless all the band members are really damn onpoint. It's possible, yes, and I could see a band coming into play inthe future, but it would have to be the right group of musicians comingtogether at the right time for it to work well with what I do. Currentlywhat I've got in the works is a collaboration which will involve mymusical stylings coupled with projection of some visuals.
P.V.- Some of your songs are ambiguously political, while others are more direct (like your anti-fracking song). How do you identify, politically?
M.P.- On my voter registration, I identified myself as "tree party," mysimple way of saying I'm not concerned so much with party affiliation ascommon sense. Right now, common sense would be to elect politicians whoare concerned about the well-being of human beings, and theenvironment--as the health of both of these is in pretty dire straits.It appears to me that political parties get in the way more thananything, and it's downright sad to see the politicians who are supposedto be representing the people of this country bickering among themselves like little kids and tricking the ignorant into backing them by usingsome imaginary moral high-ground argument. What the hell is wrong withcompromise? And how about a few bucks here and there to benefit thepeople of this country, not just the big scary corporate entities? P.V.- With songwriters who sing about social/political topics, I wonder if they’re trying to affect change or if those just happen to be the topics that inspire them. Why do you write opinionated songs?
M.P.- As I said before, I use my art as an outlet for my pain. There arecertain things in this world that I find to be very upsetting, some ofwhich happen to be political hot topics. That is not to say, however,that I do not hope to affect change. As I expressed above, the disregardfor human life (and life in general) that goes on in our political systemis downright maddening. I cannot help but raise my voice about it.Writing songs about some of these issues is a great way to get people whoaren't aware to start to think about things, and to get people who areaware to start a conversation.As a Pennsylvanian, my hot topic right now is fracking. I've been playingmy song about it and encouraging the people with whom I speak to sendpostcards and emails to the governor informing him of their opinionsabout it. Corbett has said he wants to turn Pennsylvania into "the Texasof the natural gas boom." Of course he does. They donated loads of moneyto his campaign. But it's an outrage! Natural gas, once you mind itsextraction process, is no more "clean" than coal. It's sad that those bigmoney-makers can influence the average joe through their brainwashingdeluge of advertising... And that's just the tip of the ice berg...I will be updating my website soon to include some information aboutissues like this, and tips about how to write your congress reps and soforth. Even if a person disagrees with me, I still encourage them toparticipate in the political system by writing their representativesabout the things that most concern them. P.V.- You have a unique diet. Can you tell us a little about it?
M.P.- I don't eat any wheat (gluten), eggs, dairy, or artificial things,and I mostly avoid soy and sugar also. This means I eat very littleprocessed food. This is not just some statement I am trying to make--theaforementioned foods make me legitimately ill. Wheat and dairyespecially. Perhaps you have heard about special diets being used to helpsymptomatic autistic kids? Well it's something like that. If I eat wheator dairy, I get a resurgence of schizo-affective symptoms within a day...Severe mood swings and disturbing hallucinations are something I generally like to avoid.This is also part of the story behind my use of the name "Mrs.Pain." "Lepain" is French for "bread," an ironic parallel in the context of mylife. Bread, which was deified in the Catholic culture in which I grewup, ended up being a key culprit behind the demons in my head. Bread =Pain... For me, anyhow. P.V.- What’s Mama Grizzly Bare?
M.P.- Ha... Well, Mama Grizzly Bares need to protect her cubs... It's justmy amateurish bash at certain hypocritical politicians mixed with myusual quirky collage of ideas of the moment. P.V.- You represent a particular brand of Philly weirdo performer. Are there any performers you see as contemporaries?
M.P.- Well... I'm not sure I've got an objective enough view of my ownbrand of weirdo to make a good judgment on this one, but I'll keep anear out for rumors...
P.V.- Some of your songs have a comedic aspect to them too. Not just lyrically,but in your vocal flourishes, whistles and spoken parts. Do youintentionally try to offset your biting commentary with a little humor? Isit an attempt to come off as not overly sincere?
M.P.- I kind of do it automatically. I'd say it parallels the way I talk,the way I am offstage... I'm not going to lie, lately my life's been ashit show, being in and out of the hospital a few times and all thatjazz--and even in the most dire of situations I still have to laugh, Istill have to poke fun at myself and my crazy life. I see people around mesometimes who are extremely depressed when there's really nothingseriously wrong with their lives. So my aim in adding a comedic aspectinto what I say and do is to send the message: "Hey, my life's a shitshow, and I can still laugh about it... Why don't you try too?" I justwant people to lighten up. Sure, it's hard sometimes, but it's allsubjective. It's only as bad as you think it is. Then when you don't thinkit can get any worse, and it does, well, that's the stuff of comedy.Relish it.
P.V.- What's next for Mrs. Pain? Any plans to record new material or are yousticking to giving away your material online?
M.P.- I'm always writing and recording new material. I think last year Iwrote/recorded between 130 and 150 songs, not most of which are online.Right now I'm working on getting together some live recordings to forminto an album. Even the songs I have recorded versions of are completelydifferent live, so that means I've got tons of material from this yearthat I have not even yet tapped into in the studio--plus the new stuff I'mwriting all the time. Honestly, I can't even keep up with myselfsometimes. I start trying to practice my set then I play something wrongand think, ooh, this sounds nice... And I just get carried away writingsomething else. Anyway, now I'm working on the live stuff, and gettingthat recorded, and trying to improve my focus. I'm also working more onupping my business/promo game--with a lot of help from mycollaborator/friend/film crew Brian Bruno, among other associates. I callour budding creative collaboration, "Free Salvia Test" (hence the name ofmy website), and I'm fairly certain it's only going to get weirder fromhere...
You need to be a member of PhillyVenues.org to add comments!
Join PhillyVenues.org